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Diego Velazquez
Prince Felipe Prospero
1659
Art History Museum, Vienna
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Diego Velazquez
Study for the Head of Apollo
1630
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Diego Velazquez
Francisco Lezcano
1636-38 Museo del Prado, Madrid
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Diego Velazquez
The Needlewoman
1640
National Gallery of Art, Washington DC
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Diego Velazquez
El Primo (Diego de Aceda)
1644
Museo del Prado, Madrid
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Diego Velazquez
A Woman as a Sibyl
1644-48 Meadows Museum of Art, Southern Methodist University, Dallas
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Diego Velazquez
Maria Teresa of Spain
Art History Museum, Vienna
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Diego Velazquez
Christ on the Cross
1632
Museo del Prado, Madrid
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Diego Velazquez
The Jester Known as Don Juan de Austria
1634-36
Museo del Prado, Madrid
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Diego Velazquez
Don Balthasar Carlos
1638-41
Kunsthistorisches Museum, Vienna
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Diego Velazquez
Mars
1636-42
Museo del Prado, Madrid
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Diego Velazquez
The Coronation of the Virgin
1641-44
Museo del Prado, Madrid
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Diego Velazquez
Don Sebastian de Morra
1645
Museo del Prado, Madrid
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Diego Velazquez
Pope Innocent X
1649-50
National Gallery of Art, Washington DC
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Diego Velazquez
The Forge of Vulcan
1630
Museo del Prado, Madrid
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Diego Velazquez
The Cardinal Infante Ferdinand as a Hunter
Museo del Prado, Madrid
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Diego Velazquez
Head of a Stag
Museo del Prado, Madrid
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Diego Velazquez
Prince Balthasar Carlos with a Dwarf
1631
Museum of Fine Arts, Boston
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Diego Velazquez
Queen Isabella of Bourbon
Museo del Prado, Madrid
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Diego Velazquez
The Surrender of Breda
1634-35
Museo del Prado, Madrid
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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